Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

20.3.11

Stoning of Soraya M. (In sorrow made endless)


Prior to seeing this film I read the short story Lottery by Shirley Jackson. However Cyrus Nowrasteh's film The Stoning of Soraya M. brought the concept's horror from the realm of fiction into real life. It is moments like these, as I write this, that I mourn for and am repulsed by what humanity is, the deviation from equality that society has somehow metamorphosed into. I am utterly shaken, this story took me beyond anything I have ever experienced. It is interesting, mankind's capacity for so much. Just as I am terrified by the capacity for evil and ignorance and deliberate cruelty, so am i horrified by the use of 'God' by the council in justifying actions they personally disagreed with, what i felt was the core of the progression of the unjust action was the unshouldering of responsibility and decision. Each character who was in a position to stop the execution was able to convince themselves that it was out of their power and they were merely following orders, or the will of God. The film demonstrates a call for change and a petition for humanity to own their decisions and be responsible to and for the world they live in.

I am blessed to live in a country which is founded upon equality, where despite the often lack in its deliverance, justice is not determined by sex of the tried. We however, those of us with rights, and voice, and power are living in a world where this, this injustice and inequality and hidden shame, occurs. Emma Lazarus once said "Until we are all free, we are none of us free. " Though Soraya M.'s actual chains do not bind me, though her status in her society does not actually repress mine, her story has deepened me. Just as in it's sorrows the world is made endless, in learning of them so too am I made endless. Knowledge of the fact that this occurs has bound my heart and looking back I find that I was never truly unshackled. 


Oh the volume of humanity's empathy, to feel the pain we see in others, so much more than pity. So much more powerful is empathy, when you become in part the pain which you see. I believe it stems from the notion that if shared, surely we could alleviate some of the suffering, some of the burden. I feel old and wearied. I feel that when  Mozhan MarnĂ², the actress who played Soraya, cried out despite her conviction not to, that was myself breaking. Despite the pain however, despite the tears and shock this film caused, I do not find myself afterwards dulled from the grief translated, but rather painfully aware of myself, my surroundings, and my emotions. An element of rawness. Most film allow for separation between audience and art. This movie however transcended my personal bubble and struck a depth which is not often touched. Cinema and reality were no longer distinct.





Oh world! Oh humanity! Oh my dear Lord! We must be willing to act without cowardice to reveal and prevent injustice by being the voice for those who are not heard. We have been made to bear witness, now we must act. For ideas which are not truly lived are of no worth. No depth or breadth or intensity of emotional response means anything unless it manifests in our actions from here on out.


5.3.11


An absolutely delightfully executed film about the tensions and joys found between the traditional culture and contemporary life in America for two women from very different backgrounds.  Rochel and Nasira, - an Orthodox Jew and a Muslim- while teaching in a Brooklyn school, unite to impart the lesson of acceptance to their students  and form a strong friendship in the process. It is a slower film, at the pace of real life, exactly the stride which my mind wished to saunter this evening.

It was heartwarming and an important experience for the understanding of this beautiful country of America and the diversity it contains. There is, by the definition of humanity, strong bonds between us all that transcend and overpower the divides of dress, religion, and prejudice. This film highlighted that beautiful point within a context where most would consider it impossible.

20.2.11

Life As A House, 2001, directed by Irwin Winkler


"You know the great thing, though, is that change can be so constant you don't even feel the difference until there is one. It can be so slow that you don't even notice
that your life is better or worse, until it is. 
Or it can just blow you away, make you something different in an instant. It happened to me."





27.12.10

From the film Some Kind of Wonderful:


“Ray, this is 1987, did you know that a girl can be whatever she wants to be?”
-“I know, my mom is a plumber.”
“That explains a lot about you Ray.”
-“And I have an enormous amount of respect for her.”
“Uh-huh…”

21.12.10

BILLY
ELLIOT
=
FANTASTIC
FILM

2.12.10

Conformity. A hard film worth watching.


Just watched this rather, well, painful is the best word to describe the experience, insightful documentary. By 'painful' I am in no way implying poor quality, but rather the conveying of an aching story; the story of the people of North Korea.

  A sobering glimpse into the fear driven society revealed, the absolute reverence offered to the 'dear leader' is reminiscent of pharaoh-king-worship. However this ruler's tactic of control I find completely terrifying; disloyalty to the party will not merely lead to punishment of the individual, but rather betrayal to the party on any level will land one's entire extended family into labor camps.

   I feel very much, that a wrong like this is too large for a mind to truly grasp, an incomprehensible existence, yet one that is worthy of life dedication towards its rectification. The mingled fear and worship exuded by the recovered cataract patients literally sickened me. Ironically, I had just revisited Ayn Rand's 'Anthem' this thanksgiving; I found the parallels bone chilling.

  With the utmost sincerity I strongly encourage all to be intentional to know the world around us, not only its joys within our sphere, but the oppression within others'.

  One observation made in the film by one of the undercover cameramen is that it is impossible to tell which reactions are true veneration and which are merely play acting out of fear; but that after such a long time in this state, perhaps absolute reverence and absolute fear have merged into one.

 It is at this point that I am seriously questioning what I can do. Now that I know, have seen this smallest of element of the real tyranny persisting, I am not ok to simply continue on.
Something must be done. I must do something. Really, we all must.

30.11.10

'Bomb It' by Jon Reiss, an ocular spectacular film.


I went through a period of my life completely transfixed with urban art. A thrilling two years of highschool when i honestly thought that graffiti artwork was my future. It was thrilling, it was empowering, and it made me feel as though the city belonged to me

It is just such a strong medium. every move is a powerful statement. pencil takes shading, markers are, well, dont even get me started, nothing compares. The closest feeling to graffitiing is grabbing a handful of paint and smearing it about. instant gratification. 

Tagging, i feel is just annoying, not about the artistic expression or the message but claiming property in an incredibly childish way. Like a dog peeing on a corner. Graffiti artistry is however a completely different story. I remember being in Barcelona, Spain and it speaks and expresses the culture in a completely different way than does the graffiti of New York, or hahahaha, I'll say it; Wenatchee. Public space is not, nor can it ever be completely neutral. Space is possibility. and when this possibility is grabbed not by advertisements but by art, well, i say; 'BRAVO!'





2.11.10

All That Jazz

 This movie defines bittersweet in a scream of brilliance. Emphasis on the bitter.
An incredibly done film, think of a smoky jazz singer's voice interjected with short bursts of tickled ivories and that is essentially what this film offers. The actual dance numbers really blew me away, yet unlike most every other musical i have seen (perhaps aside from fiddler on the roof) the characters and story line went deeper than i can say i was comfortable with. This is an incredibly good thing. Somewhat like the difference between commercial and non commercial literature, this musical is not just for entertainment. Indeed, the striking progression of plot is woven with reoccurring musings on death, life, love, and self worth.... all of which are thick with irony. Not only the story line, but the dances even, seem to address this full range of human emotion; from cutting humor, to joy, to bleak cynicism. My public declaration of thanks for Bob Fosse for a truly genius direction.


With a little background checking i read that this is actually a semiautobiographical production, and the premise of the film came as a near death experience to Fosse. 
I am moving on to watch all of his other films, this is just too bloody brilliant to be ignored. Movies which engage you on a deeper level than mere diversion i believe are somewhat formative. Just as the unexamined life is not worth living, so are movies, which do not cause you to examine, worth watching.
“Thank God I’m perfect.” – 1979, Bob Fosse





 


This song is certainly not the most visually stunning, or the most provocative (trust me, they go to the extremes), or by a stretch the best. I simply found it to be the happiest number of the entire film. Why? Because it is the only number which this character is not putting on for the sake of others, the only gift which is given him; a song by his daughter (likely the only female he holds a wholesome opinion of) and the woman who holds an unfailing devotion to him, despite everything.

2.9.10

"He who saves one life saves the world entire"

29.8.10

Wim Wenders about "Wings of Desire"



-funny insight into the mind behind one of the greatest films  have ever seen